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Art crime and its prevention [electronic resource] : a handbook for collectors and art professionals / edited by Arthur Tompkins ; foreword by Noah Charney.

Contributor(s): Publisher: Farnham : Lund Humphries, 2016Description: 1 online resource (240 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781848221925 (ePub ebook) :
Subject(s): Additional physical formats: Print version :: No titleDDC classification:
  • 364.16287 23
LOC classification:
  • N8795
Online resources:
Contents:
Foreword, Noah Charney; Introduction, Arthur Tompkins; Part 1 - The Art Market: The art world: compliant victim, Tom Flynn; Methods of profit: rewards, ransoms and buybacks, Toby Bull; Art-crime law, Louisa Gommans; Art crime in indigenous cultures: a Maori perspective, Ngarino Ellis; Part 2 - Museums, Galleries and Collections: Legacy and longevity: protecting the past for the future, Penelope Jackson; Security for protection of art: strategy, tactics, technology and making new paths, Dick Drent; Part 3 - Dishonesty, Deception and Detection: Art theft, Marc Balcells; Insurance and art crime, Dorit Straus; Fakes and forgeries in the internetage, Colette Loll; Art crime and law enforcement, Virginia Curry; Part 4 - Art and Armed Conflict: Art in war, Arthur Tompkins; Impacts of looting on conflict zones, Laurie Rush; Art crime and fundamentalist terrorism, Al Gillespie; Part 5 - Looking Forward: Past impediments to effective results, Lynda Albertson; Summary and future Directions, Arthur Tompkins; Appendices; Bibliography; Index
Summary: Art Crime and Its Prevention is the definitive handbook on art crime for art-world professionals of all kinds -from the museum, auction house or art-insurance employee to the contemporary gallerist, dealer, art-market student or collector. Written by a range of international experts, the book's territory is broad and includes advice on how to secure art in galleries and private collections; how and when to insure art; what to look for to be sure that an artwork you buy is legitimate; how to check provenance to be certain that it matches the work it accompanies; how to deal with forgery and best-practices in art acquisition. Contextual debate, such as discussion of the impact of looting in conflict zones and the relevant international law relating to art in war, enlivens the text and helps to present a fully-rounded analysis of art crime and its many associations.An authoritative and readable handbook, Art Crime and Its Prevention will be an essential reference guide for all those involved in the art world internationally, or in the protection and recovery of artworks.
Holdings
Item type Current library Call number Status
Book Virtual Online EBOOK (Browse shelf(Opens below)) Available

Foreword, Noah Charney; Introduction, Arthur Tompkins; Part 1 - The Art Market: The art world: compliant victim, Tom Flynn; Methods of profit: rewards, ransoms and buybacks, Toby Bull; Art-crime law, Louisa Gommans; Art crime in indigenous cultures: a Maori perspective, Ngarino Ellis; Part 2 - Museums, Galleries and Collections: Legacy and longevity: protecting the past for the future, Penelope Jackson; Security for protection of art: strategy, tactics, technology and making new paths, Dick Drent; Part 3 - Dishonesty, Deception and Detection: Art theft, Marc Balcells; Insurance and art crime, Dorit Straus; Fakes and forgeries in the internetage, Colette Loll; Art crime and law enforcement, Virginia Curry; Part 4 - Art and Armed Conflict: Art in war, Arthur Tompkins; Impacts of looting on conflict zones, Laurie Rush; Art crime and fundamentalist terrorism, Al Gillespie; Part 5 - Looking Forward: Past impediments to effective results, Lynda Albertson; Summary and future Directions, Arthur Tompkins; Appendices; Bibliography; Index

Art Crime and Its Prevention is the definitive handbook on art crime for art-world professionals of all kinds -from the museum, auction house or art-insurance employee to the contemporary gallerist, dealer, art-market student or collector. Written by a range of international experts, the book's territory is broad and includes advice on how to secure art in galleries and private collections; how and when to insure art; what to look for to be sure that an artwork you buy is legitimate; how to check provenance to be certain that it matches the work it accompanies; how to deal with forgery and best-practices in art acquisition. Contextual debate, such as discussion of the impact of looting in conflict zones and the relevant international law relating to art in war, enlivens the text and helps to present a fully-rounded analysis of art crime and its many associations.An authoritative and readable handbook, Art Crime and Its Prevention will be an essential reference guide for all those involved in the art world internationally, or in the protection and recovery of artworks.

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